Terrifying Facts about John Carpenter’s 'Halloween'In the summer of 1. Tobe Hooper—who passed away on August 2. Central Texas heat to make a horror movie. Braving blistering temperatures, on- set injuries, and a shoestring budget, they produced one of the most terrifying motion pictures ever made. More than four decades after its release, The Texas Chainsaw Massacre still shocks and thrills audiences with its realistic imagery, unhinged tone, and “based on a true story” marketing—and its status as one of the ultimate cult classics shows no signs of fading. Not bad for a little film that drove the cast and crew insane during production. Unlike last year, this season of American Horror Story has not been cloaked in total secrecy. However, though Mr. Ryan Murphy has been dropping hints along the way. Also Read: 'The Dark Tower' Trailer Splits Stephen King Fans: 'Gives Me Chills' to 'Thanks 4 Nothing Hollywoods' Tim Curry, who portrayed the clown in the 1989. From marathon shooting days to flying chainsaws to mafia money problems, here are 2. IT WAS INSPIRED BY A CHRISTMAS SHOPPING CROWD. The inspirations for The Texas Chainsaw Massacre are surprisingly diverse, ranging from director and co- writer Tobe Hooper’s attempt to make a modern retelling of Hansel and Gretel to real- life Wisconsin murderer and corpse defiler Ed Gein.
Pop culture obsessives writing for the pop culture obsessed.According to Hooper, though, the light bulb moment that really ignited the film came at a department store during the Christmas 1. I just kind of zoned in on it,” Hooper told Texas Monthly. The hitchhiker, the older brother at the gas station, the girl escaping twice, the dinner sequence, people out in the country out of gas.”2. LEATHERFACE IS ALLEGEDLY BASED ON A REAL PERSON HOOPER KNEW. Leatherface, the chainsaw- wielding maniac who would go down in history as one of horror cinema’s greatest villains, shows obvious Ed Gein influence thanks to his mask crafted from human skin, but Gein was not the character’s only precursor. The idea of a mask made of human skin actually came to Hooper far more directly, and creepily.“Before I came up with the chainsaw,” Hooper said, “the story had trolls under a bridge. We changed that to the character who eventually became Leatherface. The idea actually came from a doctor I knew. I remembered that he’d once told me this story about how, when he was a pre- med student, the class was studying cadavers. And he went into the morgue and skinned a cadaver and made a mask for Halloween. We decided Leatherface would have a different human- skin mask to fit each of his moods.”3. THE TEXAS CHAINSAW MASSACRE WAS NOT THE ORIGINAL TITLE. After inspiration struck, Hooper and co- writer Kim Henkel hammered out a script over several weeks and gave it the eerie title Head Cheese (named for the scene in which the hitchhiker details the process of how that particular pork product is made). Then it was changed to the menacing working title of Leatherface. It wasn’t until a week before shooting was set to begin that the eventual title arrived, suggested to Hooper and Henkel by Warren Skaaren, then head of the Texas Film Commission, who’d helped the project get financing. IT IS NOT A TRUE STORY. Though the real crimes of Ed Gein did influence Hooper and Henkel in their writing, the idea that The Texas Chainsaw Massacre is itself based on a true story is something that grew out of the marketing of the film. The opening narration, which promised that “The film which you are about to see is an account of the tragedy which befell a group of five youths,” certainly helped that along, as did the original poster and its promise that “what happened is true!” Despite this clever aura, the tale of Leatherface and his deranged family is still a work of fiction, despite continued protestations from fans even decades later.“I’ve had people say . GUNNAR HANSEN WAS NOT THE ORIGINAL LEATHERFACE. It’s hard to imagine anyone but the massive Gunnar Hansen behind the Leatherface mask in the original film now, but he was apparently not the first person cast in the role. When he first heard that the film was being made, Hansen—then a graduate student in Austin—was told he’d be “great” for the role, but that it was already cast. Then the original Leatherface quit.“Two weeks later,” Hansen recalled, “the same guy calls and says, . There’s a lot of bad karma surrounding this movie, and I’m quitting.’ So I called . LEATHERFACE WAS INSPIRED BY REAL MENTAL PATIENTS. With no real dialogue (apart from a gibberish scene that Hooper eventually cut) to drive his character, and his facial expressions hidden by a mask, Hansen had to come up with other ways to express who he thought Leatherface was. When Hooper wanted the character to “squeal like a pig,” Hansen went out into the country and studied a friend’s pigs. Then, to capture the mental instability of the character, he went to an Austin mental hospital and studied the movements of the patients there, which he then incorporated into his performance. TOBE HOOPER REALLY WANTED A PG RATING. Despite its reputation for gruesome mutilation and gore, much of the violence in The Texas Chainsaw Massacre is suggested rather than directly depicted. This is because Hooper was hoping for a PG rating so that the film could reach a wider audience (there was no PG- 1. Motion Picture Association of America that he could help his cause if he limited the amount of onscreen blood.“As you watch the film, notice there’s probably about two ounces,” Hooper later joked. Alas, the film’s intensity ultimately meant it earned an R rating. Still, it’s probably not as gory as you remember. THE NARRATOR IS A YOUNG JOHN LARROQUETTE. The film’s menacing opening narration is an instant tone- setter, preparing the audience for a truly horrifying experience. The voice providing that menace? John Larroquette, then an unknown actor who was referred to Hooper by a friend. Hooper asked Larroquette to imitate Orson Welles for his reading, and while he didn’t quite get that, what the actor ultimately provided worked wonders. THE SHOOT WAS HARROWING. The Texas Chainsaw Massacrewas produced on a budget of $6. Bill Parsley, a Texas Tech administrator and former member of the Texas Legislature who fancied himself a film producer. Even in 1. 97. 3 it was a shoestring budget (John Carpenter’s famously low- budget Halloween was made for five times that amount a few years later), which meant little pay and long hours for the cast and crew. To make matters worse, the production endured a Texas summer with temperatures in excess of 1. Virtually no member of the cast went uninjured, and the heat and stench got so punishing at one point that the actors would run to the windows of the house where the dinner scene was shot to throw up and breathe a little fresh air between takes. Years later, Hooper sarcastically referred to the experience as an “interesting summer. THE LEGENDARY DINNER SCENE WAS SHOT IN A SINGLE MARATHON DAY. The dinner scene near the end of the film in which Sally (Marilyn Burns) is terrorized by Leatherface and his family is one of the most intense sequences in all of horror cinema. It feels like you’re actually watching a group of people going insane, and that’s because . THE CAST ACTUALLY DISLIKED FRANKLIN. For the role of Franklin, Sally’s wheelchair- bound brother who draws the ire of the audience when he grows angry with his more able- bodied friends simply because he can’t share in their fun, actor Paul Partain opted to take a very Method approach to his work.“I was a young, inexperienced actor who didn’t realize that it wasn’t like theater. When I first read the part, I could see that nobody wanted this guy to be there. It just hit me that he was whiny.”Partain’s commitment worked just as well behind the camera as it did in front of it. At one point he and Burns stopped speaking to each other between takes, and Hansen later recalled that Franklin was the only character he was actually happy to kill. LEATHERFACE’S VICTIMS TREATED HIM AS AN OUTSIDER BEHIND THE SCENES. As a large man who had to work every day in triple- digit heat while wearing a wool costume that he couldn’t change out of, Gunnar Hansen already had it rough while making The Texas Chainsaw Massacre. He got so smelly by the end of production that the rest of the cast and crew avoided eating around him. To make matters a little more difficult, though, he also dealt with an interesting character technique that his victims engaged in. During the shoot, Burns and the other kids who would eventually fall prey to Leatherface avoided Hansen because they didn’t want to hang out with their killer.“During the filming, none of them would talk to me or be anywhere near me until they were dead,” he later recalled. This behind- the- scenes observance actually produced some intense onscreen results. For example, when Jerry (Allen Danzinger) discovers Leatherface’s slaughter room and then meets the man himself, the scream he lets out is genuine. It was apparently the first time he had seen Hansen in full costume. LEATHERFACE ACTUALLY WEARS THREE DIFFERENT MASKS. Though his name would suggest a singular horrifying visage, Leatherface actually wears multiple masks in the film—the rationale being that they were the only way he could truly express himself. There’s the plain killing mask he wears for most of the film, the “grandma” mask he wears while preparing dinner to show his “domestic side,” and the makeup- covered mask he wears to sit down to dinner, complete with a suit in the Southern tradition of dressing up for the evening meal. THE FILM’S MOST BEAUTIFUL SHOT ALMOST DIDN’T HAPPEN. For all its brutality, The Texas Chainsaw Massacre also made use of the natural beauty of its location to produce some truly stunning images, including one shot that almost didn’t happen. While shooting at Leatherface’s house, Hooper and cinematographer Daniel Pearl conceived a shot that would track under the swing in the yard and follow Pam (Teri Mc. Minn) at a low angle as she walked toward the house, which would grow menacingly in the background until it towered over her. According to both Hooper and Pearl, producers (namely Parsley, who visited the set often and feared the film would be a disaster) didn’t want them to spend time on the shot, as it was not a part of the storyboards they worked from for much of the film. Evil clown - Wikipedia. The evil clown is a subversion of the traditional comic clown character, in which the playful trope is instead rendered as disturbing through the use of horror elements and dark humor. The modern archetype of the evil clown was popularized by Stephen King's 1. It. The character can be seen as playing off the sense of unease felt by sufferers of coulrophobia. Origins. Another one of the first appearances of the concept is that of John Wayne Gacy, an American serial killer and rapist arrested in 1. Killer Clown after it was discovered he had performed as Pogo the Clown at children's parties and other events; however, Gacy did not actually commit his crimes while wearing his clown costume. A study by the University of Sheffield concluded . Some found them quite frightening and unknowable. When writing the book Bad Clowns, Radford found that professional clowns are not generally fond of the bad- clown (or evil- clown) persona. They see them as . Yet, as Radford discovered, bad clowns have existed throughout history: Harlequin, the King's fool, and Mr. Radford argues that bad clowns have the . They may not wear clown costume but, nevertheless, engage with people for their own amusement, abuse, tease and speak what they think of as the . Radford states that, although bad clowns permeate the media in movies, TV, music, comics, and more, the . Research shows that most people do not fear clowns but actually love them and that bad clowns are . The cultural critic Mark Dery has theorized the postmodernarchetype of the evil clown in . Sloane; the sick- funny Bobcat Goldthwaite comedy Shakes the Clown; and Pennywise the Dancing Clown from Stephen King's It. Using Mikhail Bakhtin's theory of the carnivalesque, Jungian and historical writings on the images of the fool in myth and history, and ruminations on the mingling of ecstasy and dread in the Information Age, Dery asserts the evil clown is an icon of our times. Clowns are often depicted as murderous psychopaths at many American haunted houses. Wolfgang M. Zucker points out the similarities between a clown's appearance and the cultural depictions of demons and other infernal creatures, noting . When writing the book Bad Clowns, Radford found that professional clowns are not generally fond of the bad- clown persona. They see them as . Yet, as Radford discovered, bad clowns have existed throughout history: Harlequin, the King's fool, and Mr. Radford argues that bad clowns have the . They may not wear clown costume but, nevertheless, engage with people for their own amusement, abuse, tease and speak what they think of as the . Radford states that, although bad clowns permeate the media in movies, TV, music, comics, and more, the . Research shows that most people do not fear clowns but actually love them and that bad clowns are . It resurfaced in 1. Phoenix, Arizona; in 1. West Orange, New Jersey. Later sightings included Chicago, Illinois, in 2. Queensland Police records details of a handful of petty assaults in which various women and children were set upon by a fiend who resembles the modern idea of the evil clown. The victims were pushed around and subjected to a tirade of taunts and bawdy humour by a man dressed as a clown. The assaults which lasted only a few minutes saw the victims pinched, pushed and barraged with taunts by a painted joker. The man behind the makeup was dock worker Franklin Smith. The case turns strange when arrest records show that Smith refused to take off the clown outfit he was wearing. Smith stated that it was gifted to him by a dying gypsy woman and had been reported to be the very same outfit worn by a jester clown who had murdered a Romanian King due his amorous intentions for the victims Queen. Whenever constables tried to remove the garments Smith became violent and animalistic. Refusing to be quiet at his trial and mocking the presiding magistrate with foul humour and ridiculous gestures Smith was sent to what was then known as the Goodna Insane Asylum. The events which led to the institutionalization of Franklin Smith were further compounded by the hospital records of another inmate whose detailed sessions bear witness to Franklin reportedly talking to the clown suit at night. However, fellow inmates swear that he would often take the suit off in the dead of night. Hanging the outfit on his cell wall he would converse with it like a second party. One inmate claims that he had heard the suit answer back. The myth became even more mysterious in light of the actions that led to Franklin's death. Smith was feared and despised by all the other inmates despite him never having spoken or interacted with any of them. The hospital medical examiner records in great detail that Smith was attacked by a vast number of inmates when undertaking his routine bath. A senior guard at the hospital diarised the event and made note of a second group of inmates banding together to ensure the cell holding the clown suit remained locked while the mob lynched Smith in the bath house. Mortuary documents reveal a complaint to the State government health board over the apparent gluing of a clown outfit onto the cadaver of Franklin Smith. Enraged by the complaints, hospital official Dr Basil Stafford sent his head of staff Dr Peter Novel to view the body. Correspondence between the two doctors reveals a perturbed account from Dr Nobel who confessed that not only was it the suit that Franklin had worn but it was in fact glued or somehow tarred to the body of the murdered thief come jester. Franklin Smith was buried in an unmarked grave in Dutton Park Cemetery in 1. The cemetery was made famous by the 1. Brisbane floods in which a large section of the graveyard was washed away with some coffins still unaccountable. Further scandal over the council allegedly tampering plot records and using headstones for landfill have also brought the cemeteries name to the news headlines. If local historians are accurate the site of this spate of phantom clown activity falls right at the area in which Franklin Smith was interred 1. Johnathan Lairborne. It shot her in the face, drove off in a white Chrysler Le. Baron and was never seen again. Her murder remains unsolved. While most of these clown sightings have been harmless, there have been suspicion activities and others have been led to attacks and arrest. In 2. 01. 3 in England, the Northampton Clown appeared on the scene terrorizing the town. The work of three local filmmakers, Alex Powell, Elliot Simpson and Luke Ubanski, the Northampton clown shares similar looks to Pennywise the Dancing Clown from the Stephen King novel It. Again this clown would shared similar resemblance to Pennywise. During an interview with the Wasco clown, it was revealed that the social media postings are part of a year- long photography project conducted by his wife. In late July, a . After this appeared in the news, the sightings of these clowns spread throughout the country. President Glenn Kohlberger said, . They can take any situation no matter how good or pure and turn it into a nightmare. We do not support in any way, shape or form any medium that sensationalizes or adds to coulrophobia or 'clown fear.'. Originally, the gimmick was that of a sadistic, evil clown, playing cruel tricks on fans and wrestlers to amuse himself and put them off guard; to help gain heat for the character, he was placed in a storyline feud with Crush, wherein Doink, after faking an injury, sneak- attacked Crush with a loaded prosthetic arm. The biology of horror: gothic literature and film. Carbondale: Southern Illinois University Press. ISBN 9. 78- 0. 80. La femme de Tabarin: Tragi- parade. Librairie Charpentier et Fasquelle. Leoncavallo: Life and Works. Plymouth, UK: The Scarecrow Press. ISBN 9. 78- 0- 8. Killer Clown: The John Wayne Gacy Murders. New York City: Pinnacle. ISBN 0- 7. 86. 0- 1. OCLC 1. 56. 78. 32. Trickster's Way. San Antonio: Trinity University. ISSN 1. 53. 8- 9. Retrieved 2 January 2. January 2. 00. 8. Retrieved 5 July 2. Trinity. edu. Archived from the original on 2. June 2. 01. 1. Retrieved 5 July 2. Albuquerque: University of New Mexico Press. ISBN 9. 78- 0- 8. Archived from the original on 1. October 2. 01. 6. Retrieved 2. 0 October 2. The Pyrotechnic Insanitarium: American Culture on the Brink. California: Grove Press. ISBN 0- 8. 02. 1- 3. Theology Today, October 1. Retrieved 2 January 2. Encyclopedia of Urban Legends. Norton & Company. ISBN 9. 78. 03. 93. The Martians Have Landed!: A History of Media- Driven Panics and Hoaxes (Google e. Book). Mc. Farland & Company. ISBN 9. 78. 07. 86. Deseret News. Retrieved 1. April 2. 01. 5. Dread Central. Retrieved 2. 2 April 2. Sun Sentinel. Retrieved 5 April 2. Retrieved 2. 1 October 2. October 2. 01. 6. October 2. 01. 4. Los Angeles Times. October 2. 01. 4. NY Daily News. 2. July 2. 01. 5. The Hollywood Reporter. Retrieved 1. 6 October 2. Archived from the original on 1. October 2. 00. 6. Retrieved 2. 3 October 2. Retrieved 1 June 2. Retrieved 1 June 2. Coming. Soon. net. Retrieved 1 June 2. Retrieved 1 June 2. Fashion & Style. Retrieved 1 June 2. Retrieved 1 June 2. New York City: Viking Press. ISBN 0- 4. 51- 1. Dread Central. Retrieved 1 June 2. Retrieved 1 June 2. Deadline. com. Retrieved 1 June 2. Rotten Tomatoes. Retrieved 1 June 2. Bloody Disgusting. Retrieved 1 June 2. Rotten Tomatoes. Retrieved 1 June 2. Retrieved 2. 1 June 2. Retrieved 1 June 2. Entertainment Weekly. Retrieved 1 June 2. Horror Night Nightmares. Retrieved 2 June 2. Orlando Sentinel. Retrieved 2 June 2. Retrieved 2 June 2. Rotten Tomatoes. Retrieved 1 June 2. Retrieved 1 June 2. Dread Central. Retrieved 1 June 2. Dread Central. Retrieved 1 June 2. Bloody Disgusting. Retrieved 1 June 2. Get To Know the Creepiest Villain of American Horror Story: Freak Show. Retrieved 1 June 2. Roger. Ebert. com. Retrieved 1 June 2. Blumhouse. com. Blumhouse Productions. Retrieved 2 June 2. Deadline. com. Retrieved 1 June 2. Bloody Disgusting. Retrieved 1 June 2. Dread Central. Retrieved 1 June 2. American Horror Story - Action Figures, Toys, Bobble Heads, Collectibles at Entertainment Earth. Order by Phone: 1- 8. Monday - Friday: 7: 0. Pacific Time. Client Services: 1- 8. Fax: 1- 8. 18- 2. E- mail: cs@entertainmentearth. Product specifications, prices, ship dates and availability are subject to change without notice.
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